I urge you to check out The Legacy. It launched back in October and at the time of this writing, it sits at #2,000 on Amazon. Anybody who has indie-published before through 'Zon knows this is quite an achievement!
EVAN RONAN: Can
you describe your writing process? I’m asking this question very literally. Where do you go?
JD FRANX: I normally write at our kitchen table, and sometimes in the summer I write
outside while at our bistro set.
EVAN: What’s
around you?
JD: Lol. Everything I need. Maps, notebooks of hand written information on Talohna
and several flash drives of more information. Talohna's a big world with
thousands of years of history. Oh, and naturally either a cup of coffee or a
glass of diet Pepsi.
EVAN: Certain
time of day?
JD: That depends on how I feel. I like writing in the morning, usually between
9-12, but when it's possible I do write in the afternoon. I rarely write at
night, unless it's really late and I can't sleep-after midnight.
EVAN: What
do you think about?
JD: When I'm writing I rarely think about anything, I very rarely listen to music
and I try to just let the story flow.
EVAN: When
you write, do you see the scene playing out in your head?
JD: I wouldn't say so, not really anyway.
EVAN: Hear
the people speaking?
JD: Not when writing, no. When I'm not writing, yes.
EVAN: Or
is the writing process more a gut feeling, where you know it’s working or not
working by how your body is reacting to what you’re doing?
JD: As strange as it sounds, I don't worry about whether it's working until later
drafts of the manuscript.
EVAN: How
do you come up with ideas?
JD: I hate this question, lol. I've been asked it a hundred times or more and it's
one I can't answer. The story is just there.
(I hate that question too, JD!)
EVAN: Do
you outline or fly by the seat of your pants?
JD: This question I love, lol. I am purely a panster writer for every first draft I
write, though I do tweak and adjust the story in subsequent drafts. I rarely
plot ahead, though there are scenes that jump into my head that have to be
written down immediately or they're all I think about. I've never had writer's
block, so I look at it like this: I often wonder if us writers (or maybe just panster
writers) have a 'connection' to the worlds we write. I never have a problem
writing, except for motivation some days, lol. I sit down to write and the
story is always just there, as if I'm tapped into another reality and this
reality is showing me what is happening there in Talohna. I've heard other
pansters say the same, so who knows?
EVAN: How
do you create characters?
JD: Like the stories, they're just there. Though there are times when certain
characters are 'louder' than others so I have to sometimes write their scenes
first.
EVAN: Do
you have to see, or hear, or feel, or all three before you start writing them?
JD: I do at times see hear or feel what I write, but I don't need to in order to
write.
EVAN: Or
do they come out organically as you’re writing?
JD: Most of my characters develop organically, though this one aspect I'm trying to
improve upon. I have a lot of respect for authors whose characters come alive
on the page and I believe I have a long ways to go before I'm happy with my
own, if that's ever even possible, lol.
EVAN: Do
you consciously think of theme while you’re planning the book, or while you’re
writing the book, or does theme happen on its own?
JD: I do not. I have no ulterior themes hidden within, so any kind of religious or
political, or any statement for that matter that does pop up is purely
unintentional. My only plan or desire is to write a high fantasy world and
characters that readers will enjoy.
EVAN: Do
you model other authors? As you’re writing, do you say: “I want this book to be
like XXX and YYY”?
JD: No. I do have my own favourite authors, like R.A. Salvatore or Tolkien, but I
hope to keep my world and writing as unique as possible. Because I don't plot or plan ahead, there's no desire to emulate others,
at least not consciously, lol.
EVAN: As
you mention on your Author Page and from what reader reviews have indicated,
The Legacy turns some tropes on their proverbial heads. I really admire when
authors do this, because it shows they’re not afraid to experiment and give
readers something new. Being that daring takes guts.
So …
how did you strike a balance between satisfying reader expectations of the
genre, while also subverting the genre as well?
JD: Personally I love all the old fantasy tropes. My two favourite will always be the
portal fantasy and hero's journey tropes. But they have been done to death so I
did consciously try to do something different during the revision stages. Most
portal fantasy stories have the hero being hidden away in another realm/reality/world
in order to hide him/her from the big bad. Instead I flipped the trope and used
it to hide the big bad in a different world when he was born—in order to save
Talohna from a prophesied apocalypse. As for the hero's journey quest, I often
find in other books that the hero is perfect at everything(of which I also
love) whether magic, sword-fighting, or whatever they happen to need at the
time. In Talohna, it doesn't work that way and Kael spends most of his time
screwing up these things and getting into trouble because of it, lol.
EVAN: What
tropes were you willing to play with, and what tropes did you hold sacred?
JD: I'm willing to play with any trope that serves the plot or that creates
something different, something readers haven't seen. That's what makes for a
great story in my opinion—show readers something fresh. For Talohna I wanted to
reassert what vampires and werewolves are to me. I grew up on Bram Stoker's
Dracula and Lost Boys vampires—predatory killers. And on The Howling and Silver
Bullet werewolves—massive beasts that stalked their prey on two legs and were
often conscious of what they were doing. Today's beasts have been seriously
neutered based on my childhood experiences, though I have to admit that hasn't
prevented some incredible stories from being written. These creatures will just
always hold a different meaning to me.
EVAN: What
I’m most impressed with is how successfully The Legacy launched. This is your first
book, so presumably you had no readership, no mailing list, in other words,
people weren’t lining up to grab their copy. And yet, The Legacy blasted up
the charts when it came out. What did you do to create such a successful
launch?
JD: Good question. I have worked extremely hard the last three years to build a small
but loyal reader audience. I don't do the Facebook or Twitter 'like for like
ladders' and instead I've tried to follow and earn follows from readers
honestly interested in my series. It helped.
EVAN: How
did you get the word out about this book ahead of time?
JD: Besides what I mentioned above, not much else. I didn't have the resources
ahead of time, instead I focused on the release.
EVAN: How
did you build reader anticipation prior to launch?
JD: Again, with the exception of my Facebook author page and Twitter, very little.
EVAN: What
other steps did you take so to give yourself the best possible chance of a
really successful release?
JD: I did spend a bit of money for ads during release week, which helped get me to
#1 in Amazon's smaller categories and from there it just continued to climb until
it hit #1 on the bigger lists. Kindle Unlimited also helped a lot, especially
with reviews and visibility. Readers are a lot more willing to take a chance on
a new author when they can read it for free through their Prime subscription. I
think KU is a great tool for new authors, if you're willing to monitor it and
report any abnormalities.
EVAN: As a corollary to that, the next thing I’m
really impressed with is how “sticky” The Legacy is. It currently
sits at #2,000 on Amazon and it’s been out for over three months! So …
following your launch, what have you done in terms of marketing, if anything?
JD: The
Legacy is selling and being read through KU very steadily so my rank and #1
positions now pretty much rely on how other authors are doing, lol. I've been
bouncing around from between the 300s-1200s overall since the middle of
December. Facebook ads have been my greatest investment. I tried other services
and they help a bit, where as my Facebooks often pay for themselves in a matter
of days.
EVAN: What
actions have you taken to keep the book sticky?
JD: My ads and word of mouth now, along with the willingness to talk and engage
with fans and readers at every opportunity, I think.
EVAN: Aside
from writing a great book, what other factors do you think contributed to your
success?
JD: Besides those I've mentioned earlier, I have no idea. Maybe luck or the cover,
maybe it is the story itself—The Legacy has 115 reviews in only 3 months, most
are 4 and 5 stars. Or perhaps it's the willingness and ability to spend money
on ads. A combination of all the above maybe? Who knows? I guess we'll see how
well the following books do, lol. Maybe then I'll have a better idea of what
works for sure.
EVAN: And
last, but not least, who created that cover? It’s kick-ass!
JD: All my covers are done by a friend, artist Joel Lagerwall. He's an amazing
artist and a great guy. I sincerely hope I can have him do all my covers for
this series.
***
Thanks again to JD for taking the time to answer some questions and provide insight into his process. It's working for him, as his sales/borrows on Amazon show. Keep up the great work, JD!
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